1000

ARTE-1142 Taller Básico Pintura

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2

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ARTE-1143 Taller Básico Escultura

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2

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ARTE-1144 Cerámica Básica

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4

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ARTE-1145 Cerámica - Torno

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4

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ARTE-1149 Imagen Pensante

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2

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ARTE-1150 Dibujo Cientifico

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2

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ARTE-1150 Dibujo Cientifico

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2

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ARTE-1240 Taller del Tiempo

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2

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ARTE-1241 Acciones de Escucha

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2

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ARTE-1241 Acciones de Escucha

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2

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ARTE-1242 Expresión Experimental

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2

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ARTE-1243 Objetos Activos

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2

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ARTE-1505 Taller Prácticas de lo Público

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4

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ARTE-1000 Induccion Talleres y Lab.

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0

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ARTE-1001 Induccion Equipos Audiovisual

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0

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ARTE-1002 Inducción Audiovisuales Avanzado

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0

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ARTE-1103 Ceramica Torno

This course attempts to introduce to participants the techniques and skills of the Pottery Wheel such as kneading, centering, putting up walls, constructing cylinders, cones, amphorae and open shapes, corners and connections, outdoor decorations, handles and covers, at the same time, the program covers design tools and tools of a conceptual nature for the creation of unique pieces in which the utilitarian aspect is overcome by artistic and sculptural interests.

Credits

3

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ARTE-1104 Ceramica 1

This course aims at raising awareness in students as regards pottery as a means of artistic expression, providing the basic technical processes to enable the development of creative processes for the conception of individual projects. Knowing how to handle the material properly, goes hand in hand with planning, design and conceptual development. The essential topic of the course is "The power to transform the four elements: earth, water, wind and fire" which serves as a point of reflection and conceptual research for the realization of plastic designs.  

Credits

3

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ARTE-1105 Foto Basica 1

This course explores the production and reading of photographic images in a theoretic and practical formseeking the command and knowledge of the principles of photographic equipment developing techniques and enlargement in black and white. Similarly it analyzes the effect of the invention of photography on different areas of knowledge.

Credits

3

Distribution

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ARTE-1106B Fragments and Postures

This course aims to take on the phenomenon of contemporaneous visual culture from the photographic standpoint. It is about visiting the "common places" that photography has managed to establish in our perception of images and those that are now being conceived, the new ways to see the world that the sensitive surface has created, that now seem to be as ordinary as our own sight. Each of these "common places" is displayed throughout history and the present of photography, bringing together examples, authors and images. This opens a panorama for reflection that covers family photography, press photography, experiments of contemporaneous art, scientific uses, visual events in the media and the creation of digital images.

Credits

3

Instructor

Santos Guillermo

ARTE-1112A Art and Animals

This course seeks to take a chronological trip through different ages and contexts of the history of art in which man has especially taken on the representation of animals. From the very birth of Paleolithic rock art to recent biogenetic experiences and manipulations on the part of certain artists, more than running through infinite examples, this is about reflecting on the various vies and motivations which make up animal imagery in art. Ritual, myth, symbol, science, contemplation, exploitation, identity and otherness cross paths throughout this story which sets forth the close and tortuous human relationship with animals.

Credits

3

ARTE-1113 Ceramica 2: Figura Humana

The main axis is the representation of the human body and its importance throughout the history of art and in different cultures. Based on this historical review, students develop their creative project supported by selected readings. At the technical level, first-level knowledge is consolidated and emphasis is made on finishes and surfaces.

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3

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ARTE-1115 Taller de Iluminacion

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3

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ARTE-1116 Taller Basico 1

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3

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ARTE-1117 Taller Basico 2

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3

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ARTE-1118 Foto Básica 2 :Digital

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3

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ARTE-1119 Dibujo Cientifico Basico

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3

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ARTE-1120B Pintura Desde 1950

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3

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ARTE-1123 Historia de la Animación

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3

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ARTE-1123 Historia de la Animación

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3

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ARTE-1124 Ilustración

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3

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ARTE-1124B Fotografía Una Imagen Pensante

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3

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ARTE-1126 Acabados Cerámicos

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3

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ARTE-1127 Taller de Materiales y Procedimientos

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3

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ARTE-1128 Ceramica in Situ

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3

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ARTE-1129 Fotografia Imagen Pensante

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3

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ARTE-1130 Taller de Paisaje Pictórico

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3

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ARTE-1131 Dibujo Cientifico Pequeñas Especies

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3

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ARTE-1135 Pintura Hipervinculada

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3

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ARTE-1135 Pintura Hipervinculada

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3

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-

- $name

- $name

- $name

- $name

- ARTE-1154

ARTE-1202B Apreciacion Cinematografica

Credits

3

Distribution

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Instructor

Jimenez Villalta Maria

ARTE-1209B Nuevos Medios

By taking a trip through the end of modernity and its repercussions, the artistic vanguards of the late 19th Century and the early 20th Century, the post-structuralist theories, the appearance and expansion of mass media, the triumph of technology in the 1980s and the kingdom of the digital media that came about in the 1990s, this course attempts to understand these models of thought and expression that enclose contemporaneous culture.

Credits

3

Distribution

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ARTE-1213 Taller del Tiempo

The general objective of the Time Workshop is the practical introduction to the aesthetics of time in the arts. It explores creation processes in mediums based on length of time, whose specific objective is the intermedial experimentation between them. The course consists of two modules. The first starts with an introduction to the fundamentals of sound art and its forms of time-based structuring. The second introduces students to aesthetic experiences based on transports of poetic meaning in time, stressing the notion of montage applicable to the creation of audiovisual as well as performative sequences.

Credits

3

Distribution

-

ARTE-1215 Taller Expresion Experimental

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3

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- ARTE-1216

ARTE-1218B Mirada al Cine Colombiano

This course is devoted to generating knowledge and an opportunity to reflect on the history of Colombian film, understood as a tradition that, over time, has created an account of the country. During the course, Colombian film is assumed as a cross between practices that involves artistic, economic and social components relating to the country´s history that, at the same time, is equipped with its own particular, specific development.

Credits

3

Distribution

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Instructor

Zuluaga Duque Pedro

ARTE-1219 La Narración en El Cine

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3

Instructor

Echeverry Andrea

ARTE-1220 ARTE 1220

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3

ARTE-1221 Narrativa Audiovisual

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3

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-

ARTE-1222 Arte Digital

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3

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ARTE-1228 Produccion de Sonido para Audiovisuales

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3

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ARTE-1229B Arte, Sonido y Musica Siglos Xx y Xxi

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3

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ARTE-1230 Cine Colombiano

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3

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ARTE-1231 Apreciación del Cine

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3

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- ARTE-1232A

ARTE-1236 Taller Tecnología Inmersiva

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3

Distribution

-

- $name

- $name

ARTE-1317B Historia de la Imagen Fotografica

Credits

3

Distribution

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Instructor

George Jimeno Camilo

ARTE-1405B El Artista y la Ciudad

This course proposes a reflection based on different topics arising from the relationship between the artist and the city. It takes into account the interdisciplinary nature of these relationships, in which artistic proposals imply a direct link to other disciplines such as architecture, literature, philosophy, anthropology and sociology. These relationships are articulated in different socio-cultural contexts of modern and contemporary times. Special emphasis is made on presenting these experiences at the beginning as reflections that lead to teamwork based on art, with a clear concern for the surrounding context, which in this case is the city.

Credits

3

Distribution

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Instructor

Iregui Jaime

ARTE-1406A Arte y Exposiciones

Credits

3

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-

ARTE-1407 Artista Obra Espacio

Traditional education in art teaches you how to think by doing, but when the work is made public, there are conditions that influence what has been created, producing acts of language that go along with the language of the work of art. The space of art is not only that occupied by material objects, on the contrary, it is about the construction of a transactional nature occupied by ephemeral processes of interaction, a relationship of strength between two situations and the distance between them. The reading material and contents of this course boil down to identifying the distance, tension and confrontation between physical as well as mental spaces to think of art.

Credits

3

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ARTE-1408A Arte y Cine

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3

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ARTE-1409B Arte y Propaganda

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3

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ARTE-1410A Patrimonio Cultural

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3

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ARTE-1411 Arte y Exposiciones

Credits

3

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- ARTE-1500

- ARTE-1501

- ARTE-1502

- ARTE-1503

- $name

- $name

- $name